It finally became warm in Tokyo and we are right in the middle of the Golden Week, so there is no soul wishing to stay indoors now. The world of the stage this month has some quite interesting events going on. Here is my pick up:
- The Tokyo Metropolitan Theater is hosting this year’s edition of TACT (Theater Arts for Children and Teens) Festival between the 3rd and 11th of May. Taking to account the companies participating – Corpus (Canada), a unit directed by Martin Zimmermann and Dimitri de Perrot (Switzerland), L’Immediat (France) and B-Floor Theatre (Thailand) – thought-provoking physical theatre intertwined with circus elements seems to be at the heart of the festival’s concept.
You might ask why I’m mentioning this event on a blog about Japanese theatre. To be honest, I think all theatre lovers here, Japanese or non-Japanese, might well use a breath of fresh air. The variety of theatre forms in Japan is amazing, but a type of performance coming from the outside that could generate a new kind of surprise and a new kind of thought about stage arts is more than welcome. Both for audiences and for local theatre creators the TACT /Festival 2014 promises to be a stimulating experience.
- One of the most promising young theatre units of the moment, FAIFAI 快快, will present their latest work Henshin (kari) 『へんしん（仮）』(“Metamorphosis”) at the Komaba Agora Theatre from May 9th through the 19th. FAIFAI has been active under the present name since 2008 and has become known in Japan and abroad for pursuing an original type of theatrical expression, one that stays true to the reality of its generation. The unit’s work “My name is I LOVE YOU” has been awarded the ZKB Patronage Prize at the Zürcher Theater Spektakel in 2010 and its’ work Ringo received the 57th Kishida Kunio Playwrights Award. That is to say that their latest work deserves all our attention. For more information please visit the FAIFAI homepage (its English version is one of the clearest and most neatly kept up to date websites I’ve ever seen among Japanese theatre companies).
- The string puppet theatre company Edo ito ayatsuri ningyō za 江戸糸あやつり人形座 will perfom Artaud 24 ji++『アウトー24時++』(“Artaud at 24 o’clock”) at the Tokyo Metropolitan Theatre from May 29th through June 1st. The work depicts the last day of Antonin Artaud, the man who has played a key role in the history of modern theatre. For such a subject to be approached through the means of the three centuries old Japanese string puppet theatre is an outstanding feat that will demonstrate the actuality and the flexibility of this art. For reference, I described my first encounter with the string puppet theatre in Japan elsewhere.
Having stated my expectations for this month as far as theatre is concerned, I wish you all a pleasant time in May 🙂